Biography

Raul Rincon starts his dj career at Stuttgart’s classy “Boa” club in 1988. Whereas the know-how of commercial “music producing DJs” is sometimes limited to fumbling around with their music software, Raul is equipped to the max with the knowledge acquired by visiting the renowned School of Audio Engineering in Frankfurt/Main in 1992. He worked together with production partners under the names Jerk Work, Drop Dishes and Snack. Their magnificent output consisting of 35 productions and more than 80 remixes, including different commissioned work e.g. for the Euro-charts storm entry N-TRANCE as well as for people like LUTRICIA MC NEIL, SAMANTHA FOX, DIE FANTASTISCHEN VIER and even top 10 rockers FURY IN THE SLAUGHTERHOUSE!

In 1995 Raul becomes part of the management for hip hop pioneers DIE FANTASTISCHEN VIER as DJ promoter and he supplies 12-inches to more than 1,000 DJs.
In 2001 Raul sets up his first label tenor recordings. Apart from his own work, Raul also does production work for fellow dj-friends and keeps extending and enlarging his tenor network.
This also leads to regular gigs on Vivaґs (Germanyґs top music tv channel) Ritmo de Bacardi series, all in all Raul is on tour with the party series for 1.5 years.
Raul Rincon is the man behind the compilations Mash Chapter#1 – 3, Who’s the daddy?,
We call it house and Housemusic.de Chapter#5.
In 2004 Raul’s remixes really kick off, and as a result Raul gets a lot of remix work in England. With mixes like DEEP DISH - Flashdance, DARRYL DґBONNEAU - What is, INAYA DAY - Nasty Girl etc., Raul manages to attract the attention of some leading a & r people in the U.K.
Raul Rincon’s remixes have become something to count on in the international dance charts. Remixes like POKER PETS feat. NATE JAMES - Lovinґ you, COBURN - We interrupt this program or
HERD & FITZ - I just canґt get enough always appear on the play lists of big name djs.
Deep Dish pick Raul’s UK-Flashdance work for their label Yoshitoshi and hire Raul to do a remix for their single Sacramento. Another highlight is a remix request for JAMIROQUAIґs alltime classic Love Foolosophy and JOJOґs single Too little Too late.
Axwell picked Raul for his Bronski Beat Cover “SUPERMODE - Tell me why” as Reworker.
After focusing on his studio work for 2 years, Raul starts concentrating on his dj career once more in order to take it to another level. Engagements in Manchester, London, Kiev & Moscow were succeeded with appearances in Brazil, Panama, Mexico as well as Seoul, Singapore and Bangkok.
In 2007 Hed Kandi sign Raul Rincon’s Single “Sometimes”. After a long period spent winding up tenor recordings, splitting up from distributors & fulfilling obligations, at last his new label EEEAR-MUSIC is ready to release.
The first release AfroIntegrity is an introductory production and represents once more Raul’s love of Ethno House Music. EEEAR-MUSIC is focusing on “world music” elements. “It doesnґt matter whether the style is house, techno, electro, minimal etc. or whether its characteristics are hard, dark, deep or smooth, soulful & sophisticated. What is important is that it has charisma like Afro vibe, Caribbean feel, Indian atmosphere, Latin flavor etc.”,…as mentioned by Raul in his last interview.
This philosophy goes all the way in Raul’s varied DJ sets. The “Ethno element” is a constant companion.
Raul Rincon – this is music 24/7!

04.01.2011, 20:08

Саксофончик поднимет вам настроение!
Приятной прослушки )

Информация

Biography

Raul Rincon starts his dj career at Stuttgart’s classy “Boa” club in 1988. Whereas the know-how of commercial “music producing DJs” is sometimes limited to fumbling around with their music software, Raul is equipped to the max with the knowledge acquired by visiting the renowned School of Audio Engineering in Frankfurt/Main in 1992. He worked together with production partners under the names Jerk Work, Drop Dishes and Snack. Their magnificent output consisting of 35 productions and more than 80 remixes, including different commissioned work e.g. for the Euro-charts storm entry N-TRANCE as well as for people like LUTRICIA MC NEIL, SAMANTHA FOX, DIE FANTASTISCHEN VIER and even top 10 rockers FURY IN THE SLAUGHTERHOUSE!

In 1995 Raul becomes part of the management for hip hop pioneers DIE FANTASTISCHEN VIER as DJ promoter and he supplies 12-inches to more than 1,000 DJs.
In 2001 Raul sets up his first label tenor recordings. Apart from his own work, Raul also does production work for fellow dj-friends and keeps extending and enlarging his tenor network.
This also leads to regular gigs on Vivaґs (Germanyґs top music tv channel) Ritmo de Bacardi series, all in all Raul is on tour with the party series for 1.5 years.
Raul Rincon is the man behind the compilations Mash Chapter#1 – 3, Who’s the daddy?,
We call it house and Housemusic.de Chapter#5.
In 2004 Raul’s remixes really kick off, and as a result Raul gets a lot of remix work in England. With mixes like DEEP DISH - Flashdance, DARRYL DґBONNEAU - What is, INAYA DAY - Nasty Girl etc., Raul manages to attract the attention of some leading a & r people in the U.K.
Raul Rincon’s remixes have become something to count on in the international dance charts. Remixes like POKER PETS feat. NATE JAMES - Lovinґ you, COBURN - We interrupt this program or
HERD & FITZ - I just canґt get enough always appear on the play lists of big name djs.
Deep Dish pick Raul’s UK-Flashdance work for their label Yoshitoshi and hire Raul to do a remix for their single Sacramento. Another highlight is a remix request for JAMIROQUAIґs alltime classic Love Foolosophy and JOJOґs single Too little Too late.
Axwell picked Raul for his Bronski Beat Cover “SUPERMODE - Tell me why” as Reworker.
After focusing on his studio work for 2 years, Raul starts concentrating on his dj career once more in order to take it to another level. Engagements in Manchester, London, Kiev & Moscow were succeeded with appearances in Brazil, Panama, Mexico as well as Seoul, Singapore and Bangkok.
In 2007 Hed Kandi sign Raul Rincon’s Single “Sometimes”. After a long period spent winding up tenor recordings, splitting up from distributors & fulfilling obligations, at last his new label EEEAR-MUSIC is ready to release.
The first release AfroIntegrity is an introductory production and represents once more Raul’s love of Ethno House Music. EEEAR-MUSIC is focusing on “world music” elements. “It doesnґt matter whether the style is house, techno, electro, minimal etc. or whether its characteristics are hard, dark, deep or smooth, soulful & sophisticated. What is important is that it has charisma like Afro vibe, Caribbean feel, Indian atmosphere, Latin flavor etc.”,…as mentioned by Raul in his last interview.
This philosophy goes all the way in Raul’s varied DJ sets. The “Ethno element” is a constant companion.
Raul Rincon – this is music 24/7!

Цитата:


	Raul Rincon & Phonk Of Future - Like A Saxmachine Label:........Tenor Germany Catalog#:...........TNR 006 Released:....September 2003 Style:.....Funky/Club House Formats:...........MP3/ WAV Tracklist 1.Like A Saxmachine (Another Day Version)....8:30 2.Like A Saxmachine (Original Mix)...........7:26 http://www.discogs.com/mp3/Raul-Rinc...35?ev=dg-brtit

Specs

04.01.2011, 20:46

Весело, задорно, но не мой формат. Спасибо, Жалгас)

04.01.2011, 22:02

Ночная версия имеется. )))))) спасибо за день)

12.01.2011, 06:54

ооо, добавили в список классики ) Спасибо что не оставляете Ринкона без внимания )

12.01.2011, 08:23

Здравствуй дядюшка Ринкон!

Вот и еще одна пластинка твоя вернулась!

Играл дневную версию, но люди напора не выдерживали, в тот момент улыбаться до затылка еще не все умели

Спасибо за return!

12.01.2011, 11:32

золотые времена дискохауса, отменный трек.

12.01.2011, 13:32

Заводные работы.
Day Version показалась более интересной,
хотя, сложно сказать, какая лучше.

12.01.2011, 13:58

Очень шикарно!!!
Забираю первую версию.
Спасибо!

13.01.2011, 15:02

Only night! Night is my sweet home

Sencs V.M. !

13.01.2011, 18:26

Ух, я бы под такой потанцевал...да что там говорить, я бы просто выжигал под него...

13.01.2011, 20:00

Вот так Рауль выдал ! Отлично звучит , ну настоящая Саксмашина ))Спасибо Жалгас ,первая версия несомненно лучше,она и улетает в коллекцию.

27.02.2011, 22:29

вторая версия больше понравилась, спасибо - раритет ведь !=)

Insa добавил 27.02.2011 в 22:29
вторая версия больше понравилась, спасибо - раритет ведь !=)

18.08.2011, 14:28

Саксофон круто звучит, мне нравится, спс!

27.01.2012, 20:40

Оригинал больше пришелся по вкусу спасибо!!!

26.12.2012, 02:13

спасибо за релиз!!!
классика рулит!!!

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